Here's a big long list of books. It's starts today and goes all the way back to the beginning of memory.
For many years I neglected reading except for my doctoral or professional work. Then a few years ago I returned to reading for pleasure. Some day this is all going to add up to something, I swear.
Why make a list like this? Maybe I do it because I think some day I'll enjoy looking back and remembering where I have been. Or perhaps my children will enjoy doing so. Until then, you are welcome to enjoy.
... then when Kanga says, 'Where's Baby Roo?' we say, 'Aha!'"
"Aha!" said Pooh, practising. "Aha! Aha! ... Of course," he went on, "we could say 'Aha!'
even if we hadn't stolen Baby Roo." [...]
"There's just one thing," said Piglet, fidgeting a bit. "I was talking to Christopher Robin, and he said that a Kanga
was Generally Regarded as One of the Fiercer Animals. I am not frightened of Fierce Animals in the ordinary way,
but it is well known that if One of the Fiercer Animals is Deprived of Its Young, it becomes as fierce as
Two of the Fiercer Animals. In which case 'Aha!' is perhaps a foolish thing to say."
I've been reading to my children from this book, most recently Chapter 7. May 15, 2005
This is a great great book. I want to do it justice in a few words. McEwan beautifully channels the voice and perspective of 13 year old Briony, witness to events she does not understand, as she and others attempt to cope with the terrible damage that her youthful perceptions and fierce nature do to those around her. But it's not that simple. If I tell you why it's more complicated I'll spoil the fun. Suffice it to say that the first few chapters of this book bored me, and then suddenly I was deeply and completely hooked. McEwan was laying a trap, and when he sprang it I could feel it's claws close around me. It was a joy to be trapped, and the only path to freedom was to read through to the end.
A good third of the book is the story of the British retreat to Dunkirk as experienced by one wounded soldier approaching death. This beautifully rendered piece with minute historical details that make it seem like a contemporary account could stand alone as a fine wartime novella. But it is only the keystone of the story arch on either side of it.
The word atonement is an odd one. I've seldom heard it used other then in reference to Yom Kippur. But this book is indeed about atonement, by many means, personal and literary.
One always feels that McEwan, or another author, is "playing" with the reader. One always feels in Atonement that there is a hovering author who could take the story in many directions. Someone is self consciously telling a story. This feeling of authorship, this wrestling with the nature of authorship, is perhaps the real subject of the book, and why I liked it so much. This is a book about writing as much as anything else. Of course one writes stories about horrible, passionate, angry and hard things that happen to people, and a book is hardly readable without a human story, and the story that is told here is a fine story, but the real subject of this book is something closer to the problem of how to write, and even, if I can say it without giving too much away, how to write one's own story and the way in which writing is the path to atonement, the way in which the author is a God (or God an author) and the way in which atonement is perhaps not really possible in this world, but only completed in death. Why all of this makes sense is something you'll just have to read the book to find out. Even if you get none of that out of it, you'll have a fine mid-twentieth century drama.
This is one of the most enjoyable books I've read this year. May 14, 2005
Memory spreads out to reassuring vagueness
These were the later years of my doctoral studies and dissertation writing
Late 1970s to early 1980s
Scattered document fragments from high school, college and post college
Teenage and highschool memories
Read to me before age 10 and still remembered